PSY joined Madonna onstage to perform a Gangnam Style mash up at her Madison Square Garden show on Tuesday.
This begs the question: which attention-whore are you most tired off, PSY or Madonna?
PSY joined Madonna onstage to perform a Gangnam Style mash up at her Madison Square Garden show on Tuesday.
This begs the question: which attention-whore are you most tired off, PSY or Madonna?
So for about a week or so, Madison Square Garden has told us they’ll be having a benefit show for Hurricane Sandy victims, and said that “big names” will be announced. Well, they weren’t lying.
On December 12th, (12/12/12) To benefit the Robin Hood Relief Fund, Jon Bon Jovi, Bruce Springsteen and The E Street Band, The Who (half the Who), Paul McCartney, Roger Waters, Billy Joel, Kanye West, Alicia Keys And More will be performing at MSG in more attempts and helping folks hurt financially in the aftermath of Hurricane Sandy. It’s being presented by Clear Channel’s iHeartRadio. Learn more about the event and donate: http://
UPDATE As of 11/27: Some artists have been added to the festivities at Madison Square Garden for the 12/12/12 benefit. These guys are named Dave Grohl and Eddie Vedder . Head over to the official website for ticketing details.
UPDATE As of 12/03: Eric Clapton and Chris Martin have also been added to the benefit.
Phish Announces New Year’s Run In New York City
This December, Phish returns to Madison Square Garden in New York, New York for a four-show Holiday/NYE Run to close out 2012. The band has played 23 shows to date at MSG. For the first time ever, the floor at these four Madison Square Garden shows will be general admission.
An online ticket request period is currently underway at tickets.phish.com/ and will end Monday, October 15 at Noon EST.
Tickets will go on sale to the general public beginning Saturday, October 20, at Noon ET at ticketmaster.com or can be charged by phone at 866.858.0008.
Tis the season for giving, and if you’re this writer, receiving. When given the opportunity to be bought into Phish tonight for their first of a 4 night New Years Eve at Madison Square Garden, how could I pass it up? Before anything goes further we must slurp the Revered Justito, who gifts me with this ticket to the show tonight (and note that his holiday gift is to be mailed shortly), gifts me with the chance to see Phish. I’ve heard a lot of Phish-surprisingly enough not much of their music. I know several ‘Phans’ who speak of the band is Christ-like proportions. To give you an idea, the night before the show and throughout the morning I was reading tweets hashtagged with stuff like #OccupyMSG, and #YEMSG. Some folks were camped out all night-and they HAVE tickets. So there’s that side of the fence. Then I also have ran into a few friends who behave like, for lack of a better term here, “Haters”, when the band is mentioned. These people would compare a Phish concert to nothing more than a traveling circus of hacky sack and drugs. I chose to walk into this one with a non-bias attitude. I didn’t study up on the Phish catalog days leading up to the show-I didn’t read blogs or set lists. I’m a fan of spontaneity, that’s what the Jay Porks Never Ending Concert Series is all about; so here I bring you the 63rd installment, from the (newly renovated) World’s Most Famous Arena-Madison Square Garden in the heart of New York City, for 1st night of the Phish 4 night New Years Eve 2011-2012 run.
I get off the train around 630ish, and literally all I see is a sea of people standing in front of the Garden all holding up their index finger screaming “one?!?-who’s got one for tonight?” . Usually I’m at the show with extra tickets and I can’t give them away. All sorts of signs suggesting trades-I seriously considered a sign that was a two for one offer with me giving up tonight’s ticket for 2 tomorrow night. But I’m already here, so I’m sticking with it.
So a little after 7 I made it up to section 404, row G, seat 9. Holy crap- they sold out the seats behind the stage too ? I’ve never seen that before done at any arena. Usually they cut that area off the to public. If every seat gets filled(which it should be because it’s sold out), we’ll have at least 20,000 people here tonight.
At 8:07 We kicked off the night with “Free”, “Glide”, “Possum”, “Cities” and “The Ballard of Curtis Loew”.. It didn’t even take more than the first half of “Free” for me to begin enjoying myself. What would drive people to hate this? I mean, I guess if you don’t like musicians jamming out to groovy tunes then I could see your dilemma. But then you look around and realize this place is packed to gils-not an ass in a seat throughout the place..
The lights are something I’ve never seen before-how do the lights colors change mid-beam? How do you make the lights look like smoke rings? Haven’t seen a light show like this this side of Roger Waters.. And at the beginning of certain songs glow sticks are tossed by hundreds from the 400 sections raining down on the people in the lower levels. An arena wide celebration was what this night was about. My section was getting me a contact high before the set even began(thanks for sharing by the way #Sarcasm), people walking past me behind me asking each other “is that real?” referring to the wall. And I still don’t understand how many glow sticks needed to be purchased for the raining to still be going on an hour into the set.
“Stash” and “Contact”(a song the Rev Justito hasn’t seen live in 24 Phish shows) followed by “Sample in a Jar”, “Kill Devil Falls” and “Bathtub Gin” finished out what was to be Set 1.
So is this an intermission at 9:33? I would assume so considering nobody has left. If I was on a lower level, I’d duck out for a second for a cigarette since there’s a Nazi event staff guy who threatened to throw me out if he caught smoking again. So that’s right folks, the only person in this building not indulging in illegal drugs is the one who gets his shoulder tapped. Do I have a sign on my back that says “hey event staff please bother me at every show I attend in life!”. What the hell man, there is smoke EVERYWHERE, I mean everywhere. There’s probably more pot in this arena then I’ve ever smoked in my life and yet, my cigarette is causing a disturbance to this asshole stuck in a menial service position.
“Birds of a Feather” kicked off set number two at 10:02… And everyone is back to standing up. I tried to tape a couple a songs throughout the evening, but theres like a ceiling a few feet up, so I can’t exactly hold my camera above the swaying bodies in front of me. After Birds of a Feather it was “Carini” time, which was followed by “Tweezer” for the foreseeable future-they are jammin’ on this one.. This had to have gone over ten minutes (like most of the evening’s songs)n”My Friend My Friend” was up next. Isn’t the internet a wonderful thing? Without knowing the name of one song coming into this The setlist is being tweeted song by song. Now if only I could get this many web savvy people into the Meat Puppets, then I’d be doing my job as a social media assistant.
Then, wait a second I know this song-a cover of the Velvet Underground’s “Rock N’ Roll”! Hell freaking yes! This is my FAVORITE Velvet underground song-had I got my camera out quick enough I would’ve been rolling film. “NICU”, “Bouncing Around the Room”,”Harry Hood”, and “Bug” all checked in before it was encore time..
“Tube”, “Rocky Top” and “Tweezer Reprise” served as a healthy encore for a “Phuphilling” night of Phish. The night came to an official end at 11:35pm. That leaves us with set one clocking in at an hour and twenty six minutes, and set two was an hour and thirty three minutes. I’ve seen bands not even play that long for ONE set, Phish come through MSG fries hearts and minds. Walking down the steps on the way out, I couldn’t help but overhear two buddies talking about how this was an “old school type of show”. As a first timer, I can’t tell you if that’s accurate or not-the Phans will judge by the setlist.
If you made it this far down, then you’ve probably enjoyed my first Phish experience, and I’ve enjoyed having you. Now I bid my readers a goodnight, because as I post this I have less then 2 hours to nap and get to my day job. Life and times of social media rockstar journalism. Again, huge thanks to the Reverend for giving me the chance to attend. Feels good to be baptized in the Phamily… LATE.
SETLIST: Set I: Free, Glide, Possum, Cities, The Ballad Of Curtis Loew, Stash, Contact, Sample In A Jar, Kill Devil Falls, Bathtub Gin
Set II: Birds Of A Feather, Carini > Tweezer > My Friend, My Friend, Rock & Roll > NICU, Bouncing Around The Room, Harry Hood, Bug
Encore: Tube, Rocky Top, Tweezer Reprise
Notes: I have a note to share about the show tonight. If there was one thing I could’ve done without, it would’ve been the intermission from 9:33-10:02. I’m not saying it took away from time that could’ve been spent playing songs-they do this every year I’m sure they can go as long as they want (especially with the Knicks are on a west coast swing)-I just don’t understand what was getting done in that half hour. It’s not like we can go grab some air here- it’s takes like 20 minutes to exit the building. Maybe if I was with Phriends I would’ve have something to do during that half hour. Oh well, there’ll always be next time.
The Black Keys Announce 2012 North American Tour Dates
I suppose it makes sense that The Black Keys are touring arenas. I remember summer in San Francisco and trying to see the pride and joy of Akron Ohio which didn’t work out so well as there was an entire Polo Field on fans in front of me. So yeah, with El Camino about to drop and a rather sweet video for the first single “Lonely Boy” blowing up the interwebs we give to you the first round of 2012 tour dates for arena rockers The Black Keys.
Oh and Arctic Monkeys are the special guests for this trek across the US. We only mention that so we can link you to our review of their co-headline show at the Hollywood Bowl.
3/2/12 Cincinnati, OH U.S. Bank Arena
3/3/12 Detroit, MI Joe Louis Arena
3/4/12 Columbus, OH Schottenstein Center
3/6/12 Portland, ME Cumberland County Civic Center
3/7/12 Boston, MA TD Garden
3/9/12 Washington, DC Verizon Center
3/10/12 Philadelphia, PA Wells Fargo Center
3/12/12 New York, NY Madison Square Garden
3/13/12 Montreal Bell Centre
3/14/12 Toronto, ON Air Canada Centre
3/16/12 Indianapolis, IN Conseco Fieldhouse
3/18/12 Grand Rapids, MI Van Andel Arena
3/19/12 Chicago, IL United Center
3/20/12 Cleveland, OH Quicken Loans Arena
3/23/12 Norfolk, VA Constant Convocation Center
(Who are we kidding, these bands are so playing Coachella)
04/24/12 Houston, TX Cynthia Woods Pavilion
04/24/12 Austin, TX Frank Erwin Center
04/27/12 St. Louis, Mo Chaifetz Arena
04/28/12 Tulsa, OK BOK Center
04/30/12 Broomfield, CO 1st Bank Center
05/02/12 West Valley City, UT Maverik Center
05/04/12 Oakland, CA Oracle Arena
05/05/12 Sacramento, CA Powerbalance Pavilion
05/07/12 Portland, OR Rose Garden Arena
05/08/12 Seattle, WA Key Arena
05/09/12 Vancouver, BC Rogers Arena
05/11/12 Calgary, AB Scotiabank Saddledome
05/12/12 Edmonton, AB Rexall Place
05/14/12 Winnipeg, MB MTS Centre
05/15/12 Minneapolis, MN Target Center
05/16/12 Milwaukee, WI Bradley Center
My Morning Jacket Announce December US Tour
My Morning Jacket will sneak across the US for a quick tour this December. The band is out in support of the recently released album “Circuital.” The trek will kick off in scenic Universal City, CA on December 1st and wrap with the bands triumphant return to Madison Square Garden on December 14th. Acts set to join Jim James and crew on the tour include Sharon Jones and the Dap-Kings, Delta Spirit and Band of Horses. Dates for the tour are below the nifty viral video the band has produced to support their latest journey across America.
Dates for the trek are as follow:
12-01 Los Angeles, CA – Gibson Amphitheatre #
12-02 San Francisco, CA – Bill Graham Civic #
12-06 Tulsa, OK – Brady Theatre ^
12-07 Dallas, TX – Verizon Theatre at Grand Prairie ^
12-08 Houston, TX – Verizon Wireless Theatre ^
12-10 Boca Raton, FL – Sunset Cove Amphitheatre ^
12-11 Orlando, FL – Hard Rock Live ^
12-12 Greensboro, NC – War Memorial Auditorium ^
12-14 New York, NY – Madison Square Garden *
# with Sharon Jones & the Dap-Kings
^ with Delta Spirit
* with Band of Horses
Furthur Announce Fall 2011 Tour Dates
Furthur – the band featuring former Grateful Dead members Bob Weir and Phil Lesh have added additional dates to their US Fall Tour. The trek which is set to kick off September 23rd in Eugene, Oregon will now wrap a few days before Thanksgiving in Indianapolis, Indiana. Mail order will run through October 7th. General public tickets will go on sale via the regular corporate outlets beginning September 16th.
Dates For Furthur as of 09/09/11:
Generally, I have found that shows will crescendo in energy level and song selection throughout the first set to set things up for a stellar second set. I’ve really gotta hand it to these guys: Phish did not fall privy to such an archetype for their first show of the year. The pleasure plateau sustained and remained, if you will.
My Soul set the tone for a rockin’ start to the evening, while Tube provided a healthy dose of funk before a clean departure and rebound into the rock vibe. A meaty Runaway Jim followed.
Mike laid the bass line down thick for the opening of Foam, as to illustrate the properties of the opaque (and apparently overwhelming) substance. I love this tune because it’s almost erratic while it maintains a sense of cohesiveness. Parts sound like a demented Latin groove. Parts sound like an updated jazz standard while Page hoofs it on the keys. And sometimes parts just sound like Phish.
Any way, I dig it.
And apparently the crowd did too. The ground was absolutely shaking after it had ended – a sweet reminder that we were more than five stories off the ground. Thanks for bringing me back to reality by scaring the shit out of me, MSG.
But it’s cool. Guelah Papyrus helped me get through it. The catchy fan-favorite went into a quirky, nonsensical jam and ended on an upbeat, followed by silence – well, would-be silence if the crowd hadn’t gone hog-wild. Trey began the chorus once more and pulled it all together just in time for one of my personal highlights of the first set: Divided Sky.
Except for the long pause before the closing of the main phrase, the entire thing was sublime. But I must pick the bone with this one: the pause is positively too long. I understand and appreciate the artistic desicion to use a pause in the music, but leaving us hanging for a minute or more? I’d rather not.
I like my melodies just as I like my 80’s pop: straight up.
In the name of Paula Abdul and all things holy, let’s just get on with our lives.
Anway, the lullaby segment continued softly, purely, sweetly, until Page broke in with an insistent key change that gave way to a rippin’ solo.
Round Room broke out of its 2003 capsule and paid tribute MSG’s oval shape and the Eagles made a guest appearance through an incredible Walk Away. It was high energy, an engaging solo, and totally authentic-sounding. I’ll bite.
A thunderous Reba and Walls of the Cave closed the first set with little shenanigans involved (well, on the band’s part).
Crosseyed & Painless opened the second set, and man, did it rock. I recently just got over listening (and re-listening) to the Coral Sky release, but now it seems I’m back where I started.
Not only is this song fast-paced and fun, but it’s by one of my (other) favorite bands. If there’s a match made in heaven, it’s Phish and the Talking Heads (sorry, Little Feat).
Simple morphed into a light, ambient jam as if to say: and now for something completely different! For a while I was thinking maybe there would be a segue into Piper, but to no avail. I’m pretty sure no one really knew what was going on, but I’m also pretty sure no one cared. The sound was rich and new and beautiful. Does anything else matter?
Next came Makisupa Policeman, a tune that seemed to hit home with quite a few members of the crowd. I love how Trey always seems to come up with entertaining new lyrics (this time’s? Went home late last night after doing the New Year’s stunt/Laid back on my couch and I rolled myself a bl– well, you know). The audience collectively lolled. It was marvelous.
Suddenly, the fast-paced tapping of a certain cymbal emerged through the murk – which meant David Bowie was about to go down.
And it was a great one.
After a truly unremarkable Fee, Page whipped out a keytar and decided it was time to rock. It was Frankenstien that resonated with me for the rest of the night (maybe cause I couldn’t get over the keytar?). The energy that had been displaced by an out-of-the-blue Fee reappeared, and everyone went home happy.
(Photo and video credits go to mkdevo, Dave Bayne & Dave Vann.)
Last night began with a feeling of foreboding as the stereo system buzzed, popped, and crackled ten minutes before the band went on stage. With luck on our side, however, the set began without trouble. In fact, it wasn’t until Camel Walk that there was a problem… but that’s a story for later.
Things kicked off with a nice bouncy Cities – appropriate for the fact that we were in the Big Apple! The Chalkdust Torture that followed brimmed with energy, as did Gumbo. I always love it when Page takes that sweet solo towards the end, lending an authentic ragtime feel to the music. I have a suspicion that the boys were warming up their Creole chops for the dose of Little Feat that they delivered later in the set.
It was during Camel Walk that things got interesting. The sound fizzed out for maybe a minute at the end of the jam section. Trey and Mike looked at each other and kept on going, despite the fact that only those within a thirty-foot radius could hear them well.
But you know how people always tend to come together in the worst of times? This was one of them. When the time came for the end chorus, the band was joined with a resounding “Camel walk!” from the crowd. Phamily phorever? I think so.
While not my favorite Trey song (Mr. Completely, anyone?), Driver cooled things down with some soft bouncy sound after a meaty Maze. A notable Bathtub Gin followed (made so mostly by Page’s excellent intro); the jam picked up intensity as time passed, leaving us with enough to get really excited for Fat Man in the Bathtub. I mean, really excited.
I’m so glad I brushed up on my Little Feat this fall in preparation for hearing the Halloween show. Not only did I realize that I actually really like their music (even though I’ve seen them live three times and they never grab me), I also realized that I really like it when Phish does their stuff. I mean, really like it.
After a hot Golgi Apparatus came a Character Zero that couldn’t be beat. Although I genuinely like the song, I think there’s not much to it – rather, not as much to it as some of their other tunes (read: YEM, Tweezer, Ghost). I found myself lost in the jam just as much as anything else – and that’s always a good thing.
A transcendental Tweezer kicked off the second set. This morning I was surprised to see on LivePhish that it was almost nineteen minutes long – it should have been longer! The jam crept to a really interesting and different place, fueled by some offbeat rhythmic stuff that morphed the sound.
Tweezer also means the promise of a Reprise, which always makes me excited.
My Friend My Friend was short and sweet; everything was on, made apparent by the agile segue into Axilla I. I really dig some of the darker Phish tunes (Carini, Guyute, Ester), and MFMF is one of them.
Fluffhead came next, and while well-executed in every way, I seemed to fade during the tune. I used to get really excited when they played it, but I suppose all the sharply calibrated orchestration gets old after a while.
And then came The Funk. The band began with a sweet Boogie on Reggae Woman which riled up the crowd… in a good way. During the jam, Trey laid a non-diatonic chord on top of everything else, and the rest of the band slowly adjusted their way around it. It’s always cool to see how they can react to each other’s moves.
After a slow segue into 2001 (which, apparently, was originally called Also Sprach Zarathustra; I guess 2001 is easier to pronounce. But I digress…), things got funky. Mike was jamming on those basslines and Page ever so gently rocked the organ.
Suzy Greenberg brought the rock and roll kind of energy back to the night which very nicely transformed into a steaming Antelope. Hungry, anyone?
Tweezer Reprise was a stellar way to end the night by bringing back the memory of the even more stellar Tweezer that I had enjoyed so thoroughly.
Night one of my New Year’s run is over. Next up? Instead of ringing in 2011, I’ll be stepping back in time tonight to 1976 to hear the Grateful Dead do Cow Palace, courtesy of Dark Star Orchestra. 1/1/11 will bring me back to MSG for another night of Phish – the only way to start the new year off right!
Don’t let the security guard take your sandwich,
Phish 12-30-10 Madison Square Garden Webcast Review
Review and screenshots by thenaturalstoner
I wasn’t sure if the idea of writing a review of a webcast was a good one or not. But after some thought I said what the hell and decided to write this up. I had a lot of fun tonight watching this stream. Thank you Phish.
Well I certainly was not planning on staying at home tonight and watching the first Phish webcast since 2000 all by myself. However, when life hands you lemons, you gotta make lemonade. So when the local Doc. diagnosed me with pink eye this morning and I became stranded by myself here in Pullman, Washington, I immediately knew what my new evening plans were. PHISH.
I don’t have a laptop computer, so initially I planned on watching the show on my small Samsung desktop computer monitor. However after trying out the Livephish video feed on my Playstation3, I discovered I could watch the show on my 42” plasma and have the audio come through my home stereo setup as loud as I want! Party on!
I didn’t get a chance to see Phish at all in 2010, something that burns inside (damn you West Coast!). But this webcast HAS to be the next best thing. I could not believe how nice the general feed and audio/video quality was. I think the feed skipped only once for like 2 seconds all night. And being able to watch in the comfort of my own living room, while drinking my own beers and fun, makes me hope this becomes a regular option for all Phish shows! It had to be a money maker for the band I assume as well. The clean sounding bass and clear pictures exceeded all expectations.
The 1st set was long, close to 90 minutes I would guess, and solid. You can’t go wrong with a Cities opener and that Maze was super tasty. There were several of my favorites played, Quinn the Eskimo, Timber Ho!, Camel Walk, and Madison Square Gardens first ever Bathtub Gin to name a few. They finished the set with a rippin’ Character Zero and off to setbreak we go.
Instead of dead setbreak air on the stream, immediately following the bands exit of the stage a video montage began. This clip showed behind the scenes footage of the crew setting up, the band at setbreak, fans before the show, and other misc. experiences from earlier in the day. The audio was set to a solid Mikes Song (reportedly from 12-31-95, MSG) and lasted a good 10 minutes or more.
Set 2 started with a mini gag for the viewers at home and finished in classic Phish rock fashion. Clearly someone told Trey that people could hear him calling out songs on the stream, so to start Set 2 Trey came out and said “Okay Jennifer Dances, one, two…” After referencing the not so loved Phish song, they decided to bust into a nice Tweezer > Light instead (whew!). Theme from the Bottom and My Friend My Friend followed as a super start to the set. A couple of other favorites would follow, Axilla and Fluffhead. Boogie On Reggae Woman got the crowd pumped, which jammed into a 2001. A monster Suzy Greenberg would finish out the set in huge style. What a blast I was having from the seat of my couch, relaxing!
A rare Antelope (really nice!) encore would cap off a great night of Phish in New York City. Tweeprize would close us out and send everyone home on a high note. A great show for us tonight, and I can only imagine what the next 2 nights will bring!
If you are considering ordering the webcasts the next 2 nights, I strongly urge you do so. If I am still stuck here at home alone for New Years Eve and January 1st, I can thank the heavens that Phish in New York is there to keep me and my pink eye company.
I’d like to thank the Phish organization for making these webcasts available to us fans. I had a blast and would pay to do it again anytime. From what I have been reading online, others share the same sentiment. Kudos.
Madison Square Garden
New York, New York
December 30, 2010
Set I: Cities, Chalk Dust Torture, Gumbo, Quinn the Eskimo, Halley’s Comet, Camel Walk, Maze, Driver, Bathtub Gin, Fat Man in the Bathtub, Timber Ho, Golgi Apparatus, Character Zero
Set II: Tweezer-> Light, Theme From the Bottom->My Friend My Friend, Axilla (pt.1), Fluffhead, Boogie On Reggae Woman > 2001, Suzy Greenberg
E:Run Like an Antelope, Tweezer Reprise
Breaking News folks: Heavy Metal LIVES! Hello again people, what goes on? Well tons of stuff with myself, as Tonight the 41st edition of the Jay Porks Never Ending Concert Series takes us to the world’s most famous arena: Madison Square Garden, to catch the legendary Ozzy Osbourne. A long overdue first time ever for me getting to see Ozzy, safe to say I’m a little stoked. Supporting Ozzy on this first leg of the tour is Halford, band fronted by Judas Priest frontman Rob Halford ( Any chance they play “Breaking the Law”? It’s the only Priest song I think I know). And an added bonus- I acquired these tickets through a website “Ticket Liquidator” for $39 a pop and avoided Livenation/Ticketmaster’s big business services charges. Sweet. Meeting Pam there, an accompany to several Jay Porks Experiences(six this year) and the show starts at 8PM. All signs point to a fun night, now let’s get this party started.
Heading up the escalators at 8:15 I could hear that Halford has already kicked off their set. Rob Halford kept thanking the crowd for keeping metal alive- glad I could do my part. Had trouble finding our seats so we sat in the second row(row B) in section 348 (tickets had us in row E). We sat and watched Halford storm through energetic set of some extremely heavy tunes. They were pretty cool having not listened to them until tonight. I wish they would’ve played ‘Breaking the Law’- but unless they played it first it wasn’t on tonight’s agenda. But they did play ‘Jawbreaker’, which I didn’t know that I knew until I heard it. So that was pretty sweet. They played one more and thanked us for again, “Keeping true metal alive” before ducking off at 8:53pm.
Before Ozzy came on they played a little intro video on a large screen set up on stage( a screen that for once they’ll use to show live shots of the band for those of us a mile away. What a thought!). The video consists or various clips from popular movies and tv shows only with Ozzy staring in all of them. Started with Avatar where he’s laying on a table in a lab being turned blue. Then they went Jersey Shore and showed Ozzy dressed like one of those douches from the show as he was cursing out that fat orange Snoopi girl. Cut to a forest circa ‘Twilight’, and insert Ozzy into Robert Patterson’s Character. The chick is like “Your a… But your a… A vampire.” he turns and says “Vampires are for pussy’s- I’m the prince of fucking darkness” before opening his coat revealing gigantic boobs. I gotta find it on YouTube somewhere- a very entertaining couple of minutes.. But now folks, LET THE MADNESS BEGIN
Now on to the set- which kicked off with “Bark at the Moon” after Ozzy gave us a little pre-show pep talk. Fireworks shot off loud scaring the hell out of me as the band jumped into it. From the first second you knew it was going to be one of those amazing nights. Whole arena was screaming bark at the moon midway through and on screen as the song plays their showing alot of Gus G- who has been getting ridiculed by everyone I told I was going to see Ozzy too for not being Zakk Wylde-well from where I was sitting he was literally tearing the guitar to shreds. Song ends and Ozzy starts talking-his beaten up English makes it hard for me to understand full sentences, but I did hear that every other word was ‘fuck’ besides constantly reminding us throughout the night as he did before the show that “The crazier you people get the longer we’ll play”, Sounds like a deal to me. “Let me hear you Scream” came next before one of my favorite Ozzy songs was played: “Mr. Crowley”.. as the harrowing tune begins fireworks begin to drizzle onto the stage before revealing the word ‘Ozzy’ in satanic text on the screen. Now I’ve hit the point where I’m sitting there looking around telling Pam constantly “Damn-this is fucking awesome!”. Trying to sustain a decent head nod going while taking video is a task in itself-but it worked out well. The Garden’s awesome sound + Ozzy having a video screen led to a few awesome videos if I do say so myself. I sat back and took it all in as we jumped into “I don’t know”,-(Insert the title of the ONE song of the night I couldn’t name here)-, “Suicide Solution and “Road to nowhere” before I pulled out the camera another time for “War Pigs”(which can now sit alongside the video of ‘Cake’ doing War Pigs back at Central Park). Then N.I.B. started and at the height of my buzz from the only 2 beers I could afford($9 a pop!) I was air drumming in my seat as I, as they say ‘let the tunes take me away’. Epicness! “Killer of Giants” and “Shot in the Dark” came next before Ozzy walked off stage leaving Gus G. alone on stage soloing something wicked.. this went on for several minutes-there was then a bass solo for a minute before a drum solo during which the drum kit was like rising up slowly with smoke blowing outta the bottom of it. Like a rocket ship taking off, that looked freaking incredible. So it’s about 10:30 while all this heavy amazing soloing is going on up on stage- so I’m at this point assuming this will serve as the encore and we’ll probably be out of hear before 11PM.
Ozzy returns to stage screaming the same line he’s been screaming all night: “ Come on fuckers! The crazier you fucking go the longer I fucking play!”.. Then you hear the drum beat that leads into “Iron Man”. Roars from the crowd, as the dope smoke in the air at this point is giving it the feel of PacBell during the World Series-hell I’m on board. “I ain’t going no fucking where man it’s too much fun for me” Ozzy says as the set continues on strong with “Fire in the Sky”, “Flying High Again” and “Into the Void” was followed by “I don’t wanna change the world”. After each of these songs Ozzy just leans back on the drum kit arms crossed listening to the packed arena go crazy.
Keyword crazy, as we’re well passed the 11PM hour getting into an epic version of “Crazy Train”. To say Gus G impressed would be an understatement. Then again it’s not like the Prince of Darkness would have some slouch guitar player or anything, so I guess it should’ve been more expected. Then came the nights only down point. Sorry people, I’m not into “Moma I’m coming home”-and when it’s past 11:30PM and you’re afraid you’re not gonna have time to squeeze in “Paranoid”-you don’t want to look around at people embracing each other swaying back and forth with lighters raised ‘Kansas’ style. I turned to Pam and said “You know, I friggin’ hate this song”.. but my dreams were not shattered, as they ended up playing “Paranoid” next, before thanking the crowd as several loud BOOMS ensued wiith fireworks shooting into the air behind them. Ozzy says “Thank you good night! you guys are fucking cool…Oh yea and a merry christmas too, don’t get too fucked up!”. Lights came up about 11:45PM.
If I clocked that correctly, that was a two and a half hour set by a 61 year old dude who’s consumed more drugs in his lifetime than the company of Pfizer has produced since inception. It’s really hard to state it in a well educated sounding sentence: All I have is that “That shit was fucking crazy”. That’s what I wanted to write as this review. Those five words-that shit was fucking crazy and just post some pics. But Ozzy had to go and be all awesome, and lead me to have to write up a wordy review in order recount all his phases of epicness throughout the evening. Whether hilarious opening intro videos or dumping buckets of water on the standing pit section in front of the stage, the Price of Darkness ceases to amaze us all-even people “haters” like myself.
And with that we’re done here. Thanks for reading if you made it this far-and note to everyone. Earlier this year I set a personal goal of getting to at least 20 shows this year, basing it on me attending 9 shows in 2008 and 12 in 2009. Tonight festivities made 20 for this year-so a pat on the back for me. If anyone has any ideas for shows for me to head out to I have nothing purchased, so please send suggestions my way. Thanks for stopping by again, LATE.
Bark at the moon
Let me here you scream
I don’t know
-(One song I couldn’t name)
Road to nowhere
Killing the Giants
Shot in the Dark
Gus G soloing, drum solo around 1030
Fire in the sky
Flying high again
Into the void
I don’t wanna change the world
Moms I’m coming home
Purchasing these tickets on Tuesday night for a Friday night show, I didn’t expect premium seating.. Didn’t need it at all.. What goes on people, thanks for stopping by and hoping on board the 38th Jay Porks Never Ending Concert Series which takes us back to the Mecca- Madsion Square Garden, for NY’s taste of the Escape From Plastic Beach Tour with Gorillaz! Show is set to kick off at 8PM with N.E.R.D. billed as the opener.. This should definitely be interesting. I love cartoons and I love music by Gorillaz- so combining the two elements should be exquisite..
A few differences from when I was here last week for Alice In Chains- the floor pit section has seats as oppose to standing room. Also, I wasn’t routed to another section upon arrival- sat in the seat listed on my ticket: Section 401.
N.E.R.D hit the stage a minute or two after 8PM.. Looks like visual effects will be tonight’s theme- for an opener N.E.R.D had some light show going.. Three mini screens on the stage… Two hot chicks table dancing on each side of the stage- nice. I see two drummers with a dude on multiple keyboards in between them.. Guitar and bass player too- going with the full band. I appreciate “Hip Hop” ( if we wanna call this that) when a live band accompanies it. Makes it seems more, I don’t know for lack of a better term, more real. Because truth is, if you play ME a beat I could rhythm to it, alot of people can. But ten minutes in I’m enjoying this- not even that “good for the opener” enjoyment- I legitimately like this.. Pharell says “since we’re in the greatest city in the world where people know music, we’re playing some new N.E.R.D.” they then got into a song called ” I’ve seen the light”.. As the set progressed I got more and more impressed.. Here’s the thing about us New Yorkers- most neighborhoods are ethnic ones, so we all learn to appreciate hip hop on one form or another- and when they closed out the set with “Lapdance”, I was officially into it.. Seriously.. N.E.R.D. Just took the biggest stage in the world and killed it.. Great job- I’m sold.. They ended their set at 8:35PM
At 8:40 Matt Pinfield came on stage to pump us up for Gorillaz.. These days, Matt host the morning drive time (6-10AM) show on101.9 WRXP in New York City. Besides mentioning that the show ‘120 Minutes’ will be coming back on the air soon(That’s not a joke).. . He then told us that, get this: LOU REED WILL BE PERFORMING TONIGHT! Holy freaking god this is going to be crazy! Mick Jones, Paul Simonon and Mos Def as well are in attendance and will all be making appearances..
A cartoon character appeared on screen as the lights dim at 9.. “When’s this warm up band going to finish?”, was what this angry green cartoon dude kept asking while looking with one eye straight at the screen straight at us.. Similar shorts like this made 2 more appearances throughout the night- then the screen cuts to a shot of Snoop Dogg- crowd goes crazy as they jump into ” Welcome to the World of the Plastic Beach”, with Snoop Dogg on screen rapping his parts of the song.. The big Gorillaz neon sign on stage is lit and changing colors with moods and sounds.. directing sitting under it in chairs is the orchestral part of the band(horns and stuff) who are not seen- most of the time only being shown in silhouette(which was trippy). Light show is exuberant, different cartoons flood the big screen with each song. This looks like a pretty expensive production (but not over the top in the vein of Pink Floyd/It worked like in the vein of the Flaming Lips). The crowd gets crazier and crazier every song that passes- even I don’t know all these Gorillaz songs, but they’re rocking and there’s nobody in there having a bad time.. “Empire Ants” was pretty jaw dropping to experience live.. Also I had some nice looking ladies dancing in the row to the front of me.. ” Tomorrow Comes Today” almost half way through was the point where I went from really enjoying this night to just starring in amazement, repeating my signature phrase: “Wow”, to myself.. One of those moment where I kept reminding myself I almost didn’t attend this show…
As I looked around to notice the only empty seats in the house were the ones to the far sides and behind the stage which during concerts aren’t sold when the stage is placed where it is. I’m pretty shocked that Gorillaz(intended as a side project mind you) would sell that many more tickets than Alice In Chains two weeks ago. Upon googling it I saw one site listed the show as “Sold Out”- got my Tickets Tuesday night so not sure if that was official or not.. and while I’m taking a look around, allow me introduce you to tonight’s rhythm guitar and bass- Mick Jones and Paul Simonon; they were in some band called ‘ The Clash’, maybe you’ve heard of them. Keeping the melody flowing steady all night.. Then a Gorillaz cartoon version of Lou Reed was shown on screen, with Reed taking a pair of chopsticks to tangled wiring-had the XL forehead going just like the real life version. Reed came out to chants of “LOOOOOOOOOOU” and they played “Somekind of Nature”. During the song I can see(kinda) Reed signaling to the stage hand pointing at his monitor and pointing to the sky. He did this almost the whole song, I’m going to assume that meets “turn this shit up”, but again I’m in section 401 Reed exited the stage after that, as my dreams of hearing Gorillaz doing “Sweet Jane” were shattered. “Super fast Jellyfish” had the group of attractive young ladies in front of me excited, along with the rest of my section. Damon Albarn is a freaking genius man. Him and of course cartoonist Jamie Hewlett have created a monster, blending the brit pop sound of Blur’s front man with completely unfabricated Hip Hop vibes. At one point during the set Jamie wanted to mention about how they played overseas, and then introduced us to what he call the “Arab American “ section of the orchestra. I am so glad he brought that to NYC in the midst of these bigoted New Yorkers complaining about a Mosque “near” Ground Zero. Glad that everyone in the building can see that people who are of Arab decent can be and are just like all of us-they can be in an awesome friggin’ rock band that is in the midst of ( I must preface this with figuratively) burning down the house at the Garden. Incredible on so many levels!
Anyway, as the night And the guest list doesn’t end as after they went off at 10:30 and then ran back out for the encore; Mos Def took the stage for “Sweepstakes”, De La Soul came back out for “Feel Good Inc.” (they may have made an earlier appearances-but the only person I could tell who it was without introduction was Jamie from my distance).. other in attendance performing on songs were Bobby Womack, Bashy, Miho Hatori, Bootie Brown and Yukimi Nagano.. And of course you knew this moment was coming- everyone’s favorite Gorillaz song “Clint Eastwood”, with some of the rap lyrics changed(to the dismay of one of my YouTube commenters), Jamie even jumped the gun on the chorus first time around… It was great, and I recorded every minute of it! . “Demon Days” closed the out this night of insanity. Went off at about 10:53PM
WOW. Gorillaz, Escape from Plastic Beach Tour. Are you serious? Did this band really just put on THAT show? Did they really just tear down Madison Square Garden, the Mecca?? There was not a dull moment during the set.. Of course my personal highlight of the evening-LOU REED came out and performed! Incredible.. Seriously one thing I gotta get off my chest to everyone right here-I cannot believe I was just in the same building as Lou Reed! That is the stuff of legend.
I felt the same way that I feel when I’m going to see any of my teams play at the Garden-there’s half as many people as capacity and everyone’s drunk and loud, only the product in front of us all tonight weren’t a bunch of sad losers! What goes on people, welcome into the 36th installment of the Jay Porks Never Ending Concert series (I’m dead serious about the “Never Ending” part of that if you didn’t know by now) which has me feeling a bit sporty I must say. I mean come on, we’re at the Mecca of sports-The world’s most famous arena, Madison Square Garden to check out the legendary Alice In Chains with Deftones and Mastodon rounding out what is billed as the BLACKDIAMONDSKYE tour..Like I said, so happy to be coming here to see something good and not the New York Rangers sad excuse for a hockey team or the dreadful basketball team that plays there who’s name is not worth the proverbial ink. But by the looks of the arena, you’d thought something crappy was going on. That place got half full at best. Upon arrived, the early comers were re-routed to different sections leaving a full empty row in between every row. When I made a pit stop during Deftones, event staff was just telling people, and I quote “There’s tons of seats, it doesn’t matter what your ticket says just find an open seat”.. So I paid $38 plus fees for this thing to not be near capacity? That doesn’t make me proud of my NY peers at all. And why not just charge $25 for these seats I’m in now and you’ll sell the place out.. We’re at least twice the distance I was when I first saw Alice In Chains with DuVall in 2007 at an outdoor venue in NJ that I paid $20 for tickets. It just bewilders me that this thing isn’t crammed full-and later when AIC came on and everyone was standing up it looked like the place was packed-trust me when I tell you it was far from that.
Anyway, on to the tunes shall we? Mastodon played from 7PM to about 740PM, they were actually on when we were walking in, so I missed the first tune. They were heavy, they were dredging, did I mention they were heavy? I wondered if the sound got this loud for the first opener how much was it going to elevate throughout this night.. and these guys are REAL metal-they have the duel vocalists going on-the regular singer AND the screaming singer dude.. That’s how the real metal acts roll.. their light show (not much bright lighting) vs my camera was a losing battle for us, so I apologize for not putting a crappy picture of nothing up here, as all night I had problems with pics considering the distance..Of the few of us that were there, there was a group of dudes really getting into it-skin head dudes doing heavy metal air guitar-fun from a far, but certainly not a collection of swings I want to get in between.. That’s the thing about metal-the fans. I’ll be the first to admit that they were a little heavy for me, I mean I enjoyed it but wouldn’t blast their records all day long-I’d go deaf… But the thing about metal is the fans. They come out strong every time, they spend money. You know they spend money because they know all the words to all the songs that came off the latest record.. They come to shows, far and wide, rock out they buy albums and shirts and are not afraid to show how into it they are- This is unlike some people, who just find ways to listen to music on the internet without buying/owning it.
Deftones went on shortly before 8PM…Deftones rocked it out… Enjoyed them a little more because, compared to Mastodon, they were at a much more manageable volume. They had the nu metal thing going on-some songs it seemed like they were like a way better version of like, Korn or something and then at times they went to a totally different place..Also, Chino (vocals, guitar sometimes) had this table set up in front of him, that he would climb up and down during portions of songs.. he would jumped up there to do one of his deep screams and then jump down off of it-and hey he does not shy away from the occasional “F” bomb, using occasional in a sarcastic sense of course…. and way more Deftones fans then expected, much like with Mastodon, we had air guitaring skin heads-not the mean skin head tho, I’m just calling them skin heads because they were bald and I don’t know their names. I highly doubt any of the fun lovin’ Deftones fans beat women or ride Harley’s religiously-c’mon now what do you think this is Slayer or something? They worked it til ten minutes before 9, that’s when a curtain went up in front of the stage, and the army of roadies began to set up for Alice In Chains..
Let me mention the huge middle finger I gave society by smoking cigarettes right in my seat while ducking event staffers, whom of which the Garden seemed to be light on tonight… pot was being smoked everywhere-it was great. So suck on that James Dolan!
The sheet that was in front of the stage was used as a prop for Alice In Chains’ intro, there was some cool effects going on there, including a beating, blackened throbbing veined heart, like from the front of their record Black Gives Way To Blue.. Roars of the crowd (it’s about 9:30 when the intro started ) as you can see the silhouettes coming out on stage. Then the drapes fell, and “Them Bones” was what they chose to kick things off with. Awesome from string one-what makes this band is the professionalism, the musicianship they bring to the table. I mean, I can rave all day about Jerry Cantrell’s sick ridiculous guitar skills, as I did back in May. Tonight lets take a look at Sean Kinney, who is drumming in a different league than most others. He’s off doing some other stuff over there with free flowing ease that was reminiscent of something out of the Ginger Baker handbook.. His drums were set up a foot or two up from the floor. A screen a few feet high ran effects from one side of the stage to the other, and under his drum kit in the middle… this was attached to a platform where Jerry, DuVall and Mike could climb up and play on during songs, which they did. I just wish one of them would have done the ‘Slash’ leap off that thing mid-riff. That would’ve been epic, but it didn’t look so high anyway, so maybe it just would have been stupid I guess. And in further comparison to the show in May, DuVall seems to winning over more and more fans every time.. They love him-shit I love him. He rocks. Mid set when I stopped working for a few songs and was sitting back taking it all in, I remember just looking at that stage oh so far away, and thinking about oh how far gone this band was before they found this dude. And Mike keeping it in step over there on bass, with the hair swinging every which way yet always landing down and perfect-maybe I could get whatever shampoo he uses. Also remember, I have Mike and Sean’s autographs on a bootleg ticket I bought to an AIC show at Irving Plaza last year, on Sept 9th. (Didn’t have a show to “review” for that, but the night’s events are here ). Anyway so they felt bad, and signed my ticket that I paid $50 for and turned out to be phony. So not only am I enjoying these tunes but I know these dudes aren’t dickheads in real life. Whats better then good people who play great music? And I mean great- I mean you should’ve heard “Grind”, you would’ve jumped into the time portal that leads to the fictional 90’s neighborhood I spend my life living in too. You’d love ever second of it. There were times where you couldn’t help but starting thinking of where you ranking Cantrell among guitar greats… he’s amazing with it. Does anyone else stroll around stage like this guy? He doesn’t walk back and forth he like power walks. I saw him pass by Mike Inez’s microphone to hit the wawa peddle-I guess they got their effects boxes linked up or something. that was really cool.. I like how they had the screens set up playing stuff where, if you didn’t know what song was playing you could still sort of figure it out by the images synced with the song. Everything about the set was perfect, besides them running off for the encore at 10:35, roughly an hour after they went on. It must be MSG’s ceiling for concerts is 11PM, because BlackDiamondSkye isn’t going cross country for tomorrow’s show, they’re going to New Jersey-no flight to catch. During the few minute break, I see some kid lean over to his friends asking them if they want to stay for the encore-what is that some sort of joke? You’re going to leave early? The same way I would leave a football game before my team comes back and scores the winning touchdown. Amazing how some people behave-sickening.. They came back out and played a seven minute “Love, Hate, Love”, then “Man In the Box” and “Would?” to close it out, and were tossing hundreds of guitar picks into the crowd as they thanked everyone and headed off to call it an evening.
And what an evening, glad I could be part of it.. besides the place not filling out. Really disappointed me that this show wasn’t long sold out. It was the biggest show in Alice In Chains history-and a lot of the alleged die New Yorkers missed it. But the billed bands delivered big time, and there’s nothing more you could really ask from the musicians.
So this was fun right? Hope my Dad thought so, as these tickets were my birthday gift to him back in July, which he is now calling the best birthday present since his Gibson SG when he was a teen…and of course hope you had as good of a time as I did, as I’m one who can never get enough of the Alice In Chains.. I have the set list below, I don’t think I missed any but I’m sure if I did It’ll be pointed out to me in a rudely stated comment.. Anyway, as for now I’m off to upload some more video, which isn’t so good picture wise but the sound is superb, so I felt it was worth adding to my archives. Thanks, for putting up with my non sense for a little while, and I’ll see you all October 6th for The Vaselines at Webster Hall.. LATE…
Alice In Chains Setlist:
Dam That River
Rain when I Die
Check My Brain
Down in a hole
We Die Young
Love hate love
Man in the box
Blabbermouth is reporting that German industrial legends Rammstein have confirmed their first show on American soil in ten years. The one-off show will be held at the world famous Madison Square Garden in New York City.
If you are anywhere close to New York City on December 11th, do not miss the band whose live concert makes KISS look like a tealight candle. Having seen them three times back in the late 90’s/early 00’s I can tell you that there is nothing like Rammstein live.
One of my favorite bands Interpol, hails from New York City and are seen as
the Dark Princes of Pop. Comprise of Paul Banks, Carlos D., Daniel Kessler and
Sam Fogarino. Interpol has attained an immediate level of success thanks in part
to their song craft and to the visual appeal of the band, greatly manifested in
bassist Carlos D. The cult of Carlos D. has been covered by many magazines
and T.V. channels over the years. Carlos does oozes city cool, but it is his
playing ability that personaly separates him from everybody else.
On this night at M.S.G. the band took the stage like home comming heroes
and began an amazing night of music.
i was standing for five hours in line in the hopes to be at the barrier
for this show…and i did. Here are some pictures
taken from my response in the slipknot forum.
“well i’m back from the concert and it was a real blast.
i wished slipknot would have played more songs from AHIG.
first things first. that emai about early entry for ot9 that was not being used at
madison square garden was done in error.
there was a ot9 yellow section for early entry and meet and greets.
would you guys believe that i was the only one being escorted by ot9 for early entry.
everybody was looking at me as if i’m with the band. there were a lot of people
including 2 guys from mexico that were waiting in line since 10:00 am this morning
and here i go before all of them and warm and toasty since i was waiting inside
the venue and it was a really cold day in n.y.c.
it really pays to be an outsidethenine member. btw there were some hardcore
knot fans that did not know what ot9 was or is.
so i have plenty of pics really upclose and videos on the way. trivium were ok.
coheed and cambria were good but the set list wasn’t the best that they could have
done. thanks. oh! i forgot…i got a jim root guitar pick sweet.”
In retrospect everything went well that day.
Slipknot deliver the goods and got to see Coheed and Cambria again.
Trivium is not my cup of tea.